Busoni wrote that his mystic Elegies were a milestone in his development.
Busoni's source of inspiration were the Elegies of
Goethe. They refute the common meaning of elegy as a song of lamentation
and instead point to the richer sense in which Goethe used it. Busoni's
Elegies are mystical, visionary, arcane, esoteric, and traditional - all
at the same time. Audiences familiar with the music of Liszt, Debussy and
Schoenberg will find much to admire in these rarely heard piano works. The Elegies actually occupy a middle ground
between the late-Romantic tendencies of Busoni's first decades as a
composer and the modernistic sound-world of his mature compositions.
The seventh Elegy (Berceuse) was actually added in 1909. In many respects
it is similar to the Berceuse Heroique for orchestra, but it is not a transcription of the Berceuse Heroique,
as many commentators have stated erroneously.